There are some very specific Catholic moments in Les Miserables, and those alone should be enough to convince us that, no matter what his personal habits or political standpoints, Victor Hugo had at least a great respect for, if not a real belief in, the Catholic Church.. Although interested in anarchist philosophy, he nonetheless rejected it for its militant aspects, and viewed it as only a means to his personal goal of socio-political enlightenment.[2]. Katzen und Pfauen (Cats and Peacocks) 4. (As presented at ATHE 2010) I was introduced to the artist, poet, cabaret performer, chanteause, dancer, and painter Emmy Hennings, through the work of her much more easily recognized husband, Hugo Ball, who is widely regarded as the mystical founder of DADA. Ball was born in a devoutly Catholic family in a predominantly Protestant region. See, for example, Ball’s final footnotes on Schopenhauer and Nietzsche, Zur Kritik, 1919, pp.319–22. The same year as the Manifesto, in 1916, Ball wrote his poem "Karawane," a poem consisting of nonsensical words. There, Ball continued his interest in anarchism and in Mikhail Bakunin in particular; he also worked on a book of translations of works by Bakunin, which never got published. He is considered among the most influential figures of anarchism, and one of the principal founders of the "social anarchist" tradition. German writer and performer, leading figure in the Dada movement. Hugo Ball’s 1916 poem, "Karawane" Hugo Ball (22 February 1886 – 14 September 1927) was a German author, poet and one of the leading Dada artists. BALL, HUGO (1886–1927) BIBLIOGRAPHY. He studied sociology and philosophy at the universities of Munich and Heidelberg (1906–1907). Born into a strict and highly devout Catholic family, Hugo Rudolf Ball was a sensitive child, who grew up fearing the severity of his mother's faith. His involvement with the Dada movement lasted for about two years. months of World War 1. Hugo Ball was a twenty-nine-year-old German poet and Catholic mystic. He advocated the intentional destruction and clearing away of the rationalized language of modernity that for him represented all that had led to the "agony and death throes of this age." This page was last edited on 13 April 2021, at 09:17. gadjama bimbalo glandridi glassala zingtata pimpalo ögrögöööö Between 1909 and 1910 he/she wrote his doctoral thesis Nietzsche in Basel. It’s the Bishop — M. Charles Francois-Bienvenu Myriel. With Huelsenbeck, Ball staged several antiwar protests in Berlin, the first of which took place in February 1915 and was a memorial to fallen poets, including Hans Leybold, who had been mortally wounded at the front. (Source), Emmy Hennings and Hugo Ball, Agnuzzo, 1921. [6] The same poem and its historical context was used by Esa-Pekka Salonen for his 28-minute composition for mixed choir and orchestra, Karawane. In 1910, he moved to Berlin in order to become an actor and collaborated with Max Reinhardt. Containing philosophical writings and acute observations of Dada performances and personalities, it remains one of the seminal documents of the Dada movement in Zurich. Among other accomplishments, he was a pioneer in the development of sound poetry. Together they fled to Zurich to avoid the turmoil of war. The trauma he experienced when he took a private trip to the front in Belgium prompted him to abandon the theater and move to Berlin, where he began to delve into political philosophy, especially the anarchist writings of Peter Kropotkin and Mikhail Bakunin. Biography of Hugo Ball (1886 -1927) German writer, born in Pirmasens in 1886 and died in Sant' Abbondio in 1927. Hugo Ball was concerned a lot with Bakunin's philosophy when he founded the Cabaret Voltaire with Emmy Hennings… gaga blung, A voice-cut-up collage of his poem "Karawane" by German artist Kommissar Hjuler, member of Boris Lurie's NO!art movement, was released on an LP on the Greek Shamanic Trance label in 2010. In February 1916, the couple opened the Cabaret Voltaire where Dada was born. Trevor Stark will analyse the correspondence of the artist with the political scientist and philosopher Carl Schmitt (1888-1985). Interlude 6. With him were his lover, cabaret singer Emmy Hennings; Tristan Tzara, a poet from Romania; painter Marcel Janco, Tzara's countryman; Albanian artist Jean Arp; and a medical student named Richard Huelsenbeck, who just happened to have a thing for the drums. Ball received a writing credit for the song on the track listing. Hugo Ball (German: [bal]; 22 February 1886 – 14 September 1927) was a German author, poet, and essentially the founder of the Dada movement in European art in Zürich in 1916. In 1920 Hugo Ball got deeply interested in Catholicism and settled in the canton of Ticino, where he led a very religious and austere life. He left Zurich in May 1917 and did not again actively participate in Dada activities. A contribution to modernist studies and the history of political ideas, this article examines the unlikely intellectual dialogue between Carl Schmitt (1888–1985) and the former Dadaist Hugo Ball (1886–1927), a dialogue that frames the formative scene of politico-theological discourse in the twentieth century. In 1910, he moved to Berlin in order to become an actor and collaborated with Max Reinhardt. When he returned in January 1917, it was at the request of Huelsenbeck and Tristan Tzara, who wanted him to help organize Galerie Dada, an exhibition space that opened in March 1917. His poetry was an attempt to "return to the innermost alchemy of the word" in order to discover, or to found, a new language untainted by convention. In July 1916 Ball left the Dada circle in Zurich in order to recuperate in the small village of Vira-Magadino in the Swiss countryside. One of Ball's most innovative poetic forms was the sound poem, a string of noises which, when premiered at the Cabaret in June 1916, he performed with a mesmerizing, almost liturgical intensity. Born in Pirmasens on February 22, 1886, the German writer Hugo Ball is best known as the co-founder, with Tristan Tzara, of the Cabaret Voltaire and the Dada movement in Zurich. Seepferdchen und Flugfische (Seahorses and Flying Fish) 9. Although Ball supported the educative goals of the Galerie, he was at odds with Tzara over Tzara's ambition to make Dada into an international movement with a systematic doctrine. Membership does not necessarily indicate personal Christian faith. [3], Annemie Schütt-Hennings, Hugo Ball and Emmy Hennings, Albori, 1925. ... . ", "Karawane," Robert Macfarlane and Stephen Whittington, https://www.theartstory.org/artist-ball-hugo.htm, https://www.theguardian.com/books/booksblog/2009/aug/31/hugo-ball-gadji-beri-bimba, Opening-Manifest of the 1st Dada-Evening by Hugo Ball, Sound recordings of the poems of Hugo Ball, https://en.wikipedia.org/w/index.php?title=Hugo_Ball&oldid=1014061237, Pages using multiple image with manual scaled images, Pages using Sister project links with hidden wikidata, Wikipedia articles with CANTIC identifiers, Wikipedia articles with MusicBrainz identifiers, Wikipedia articles with PLWABN identifiers, Wikipedia articles with RKDartists identifiers, Wikipedia articles with SELIBR identifiers, Wikipedia articles with SIKART identifiers, Wikipedia articles with SNAC-ID identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with Trove identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 24 March 2021, at 23:34. Malcolm Green, in Hugo Ball, Richard Huelsenbeck, Walter Serner. Sein Leben und sein Werk (1927). Eva Zimmermann, Bernhard Echte, Regina Bucher (eds.). At the beginning of World War I, he tried joining the army as a volunteer, but was denied enlistment for medical reasons. In his diary account of the reading, Ball recorded how his chanting had transported him back into his childhood experience of Mass, leaving him physically and emotionally exhausted. After returning to Catholicism in July 1920, Ball retired to the canton of Ticino, where he lived a religious and relatively poor life with Emmy Hennings. gadjama rhinozerossola hopsamen https://www.thecollector.com/hugo-ball-founder-of-the-dada-movement tuffm im zimbrabim negramai bumbalo negramai bumbalo tuffm i zim ... Hugo would retire to Ticino, where he completely devoted himself to mystical Catholicism.He died in 14 September 1927.d in' Abbondio, Switzerland, 14 September 1927. Totenklage (Dirge) 8. Leybold, a young and rebellious expressionist writer, was one of Ball's best friends and an active influence on his intellectual development. These diaries provide a wealth of information concerning the people and events of the Zürich Dada movement. [4] He died in Sant'Abbondio (Gentilino), Switzerland, of stomach cancer on 14 September 1927.[1]. In 1914 Ball applied for military service three times and was rejected on each occasion for medical reasons. Factual reports about it tend to sound exaggerated if … gaga di bumbalo bumbalo gadjamen Some of his other best known works include the poem collection 7 schizophrene Sonette, the drama Die Nase des Michelangelo, a memoir of the Zürich period Flight Out of Time: A Dada Diary, and a biography of Hermann Hesse, entitled Hermann Hesse. He contributed to the journal Hochland during this time. Other expressionist evenings hosted by Ball and Huelsenbeck included the kind of aggressive and theatrical readings that would characterize Dada performances. The first character we meet in the book is not Jean Valjean. Gadji beri bimba 7. gadjama bimbala oo beri gadjama gaga di gadjama affalo pinx Ball finds regarding the Klan that Black "sympathized with the group’s economic, nativist, and anti-Catholic beliefs. Background. Hermann Hesse, Emmy Hennings und Hugo Ball, Emmy Hennings / Hugo Ball Archive at Schweizerisches Literaturarchiv (SLA), Biography and works in 2006 Dada exhibition at NGA, https://monoskop.org/index.php?title=Hugo_Ball&oldid=104898. His companion and future wife, Emmy Hennings, was also a member of Dada. : The following category includes persons from Germany who are or were members of the Roman Catholic Church. There, in February 1916, after stints with theatrical companies and vaudeville troupes, they opened the Cabaret Voltaire. BPA -4 Hugo Ball: Sechs Laut-und Klanggedichte 1916 (Six Sound Poems, 1916) by Jaap Blonk / Damon Smith, released 25 October 2014 1. I could never bid chaos welcome, blow up bridges, and do away with ideas. gadjama gramma berida bimbala glandri galassassa laulitalomini Google Scholar. 62. Karawane (Caravan) 5. He then worked for a short period as a journalist for Die Freie Zeitung [de] in Bern. Hugo Ball (22 February 1886 – 14 September 1927) was a German author, poet and one of the leading Dada artists; he founded in Zürich the 'Cabaret Voltaire'. In 1923, Surrealism was founded, which many Dadaists joined. Hugo Ball met cabaret singer, Emmy Hennings in Munich in the middle of 1915. Catholic family, Hugo Ball studied German literature, history and philosophy in Munich and Heidelberg. E glassala tuffm I zimbra, The complete "Gadji beri bimba" poem by Ball reads:[5], gadji beri bimba glandridi laula lonni cadori As co-founder of the Cabaret Voltaire in Zürich, he led the Dada movement in Zürich and is one of the people credited with naming the movement "Dada," by allegedly choosing the word at random from a dictionary. He wrote also the 1916 Dada Manifesto.Circa 1917-18 he left Dada; in the Summer of 1920 he returned to the Catholic religion. Bild. 1920 Underwent a conversion to Catholicism by being baptized and distanced herself from the Dada movement; in the same year, she married Hugo Ball. viola laxato viola zimbrabim viola uli paluji malooo [4], Annemie Schütt-Hennings, Hugo Ball and Emmy Hennings, Salerno, 1926. Photo: Hans Holdt. [7], German author, poet and one of the leading Dada artists, Ball, reading "Karawane", Club Voltaire, 1916, "I have examined myself carefully. Gadji beri bimba clandridi Also important to the formation of Ball's ideas, especially during the Dada period, were Vasily Kandinsky, the abstract painter and leader of the expressionist Blaue Reiter group, and Richard Huelsenbeck, a young doctor and student who would later become central to Dada in Zurich and Berlin, both of whom he met for the first time in Munich in 1912–1913. Kritik der Moderne bei Emmy Hennings und Hugo Ball, Und werde immer Ihr Freund sein. 61. After the beginning of World War I, Hugo Ball moved to Zurich, Switzerland, where he became one of the leaders of the Dada movement. Describing his search for philosophical meaning as "my problem, my life, my suffering," Ball devoted himself to intense study, reading widely across various systems of thought, including German moral philosophy, Russian anarchism, modern psychoanalysis, and Indian and early Christian mysticism. There Ball organized and promoted Dada events, including performances in which he participated - most often reciting his sound poems. "Tenderenda the Fantast", trans. As part of today’s religious revival, a so-called “New Age” movement is flourishing at the point where superstition, pop-psychology, and scientific speculation intersect. Stark has written insightfully elsewhere on Hugo Ball’s Catholicism (in October 146, Fall 2013, in connection with Ball’s fraught relationship with the conservative political theorist Carl Schmitt). Hugo Ball was born in Pirmasens, Germany, and was raised in a middle-class Catholic family. among others. Hugo Ball was born in Pirmasens, German Empire, and was raised in a middle-class Catholic family.Ball, Hugo (1974). In Die Aktion, poems written jointly by Ball and Hans Leybold appeared under the pseudonym Ha Hu Baley. He studied sociology and philosophy at the universities of Munich and Heidelberg (1906–1907). After studying German literature, history, and philosophy at the universities of Munich and Heidelberg, Hugo Ball enrolled at the Max Reinhardt (1873–1943) school for stage design and acting at the Deutsches Theater in Berlin. A contribution to modernist studies and the history of political ideas, this article examines the unlikely intellectual dialogue between Carl Schmitt (1888–1985) and the former Dadaist Hugo Ball (1886–1927) that frames the formative scene of politico-theological discourse in the twentieth century. gadji beri bin blassa glassala laula lonni cadorsu sassala bim Hugo Ball (1886–1927) was a German author, poet and one of the leading Dada protagonists. He also returned to his study of Bakunin and prepared a manuscript of his 1915 Zur Kritik der deutschen Intelligenz [Critique of the German Intelligentsia] for publication. At the beginning of World War I, he tried joining the army as a volunteer, but was denied enlistment for medical reasons. His ambition was to develop a theater modeled on the idea of the Gesamtkunstwerk—a synthesis of all the arts—that could motivate social transformation and rejuvenation. After witnessing the invasion of Belgium, he was disillusioned, saying: "The war is founded on a glaring mistake – men h… Crystal Ball Catholicism: Welcome to the Wacko World of New Age Theology Donna Steichen. ... and finally to spiritual refuge in Catholicism. elifantolim brussala bulomen brussala bulomen tromtata The meaning, however, resides in its meaninglessness, reflecting the chief principle behind Dadaism. Author and Article Information ... served only towards the recognition and study of its author's catholic (universal) physiognomy, that alone would be enough to assure him a preeminent status. This is perhaps what she herself hoped for, as she spent the latter… See Lewer, 2009, p.29, who credits for this point Philip Mann, Hugo Ball: An Intellectual Biography, London 1987. A contribution to modernist studies and the history of political ideas, this article examines the unlikely intellectual dialogue between Carl Schmitt (1888–1985) and the former Dadaist Hugo Ball (1886–1927), a dialogue that frames the formative scene of politico-theological discourse in the twentieth century. Wikimedia Commons has media related to Roman Catholics from Germany. In mid-1915 Ball and Emmy Hennings, a cabaret singer whom he had met in Munich and whom he would marry in 1920, left Berlin for neutral Zurich. I am not an anarchist. [1] He studied sociology and philosophy at the universities of Munich and Heidelberg (1906–1907). [3] He also began the process of revising his diaries from 1910 to 1921, which were later published under the title Die Flucht aus der Zeit (Flight Out of Time). After witnessing the invasion of Belgium, he was disillusioned, saying: "The war is founded on a glaring mistake – men have been confused with machines." By all accounts Hugo Ball (1886–1927) stands at the fountainhead of dada “activity” (he objected to calling it a movement or an -ism), and he was undoubtedly one of its most articulate exegetes and commentators.5 Ball was raised in a devoutly Catholic home in a Together they fled to Zurich to avoid the turmoil of war. Hugo Ball (1886-1927) - poet, philosopher, novelist, cabaret performer, journalist, and mystic - was a man extremely sensitive to the currents of his time. By the end of 1917 Ball was living in Bern, writing for the radical Die Freie Zeitung [The Free Newspaper], an independent paper for democratic politics. From 1910 to 1913 Ball embarked on a career in the theater, first studying acting with Max Reinhardt and then working as a director and stage manager for various theater companies in Berlin, Plauen, and Munich. Hugo Ball was born in Pirmasens, Germany and was raised in a middle-class Catholic family. Tragikomödie in vier Auftritten, Flametti, oder, Vom Dandysmus der Armen. pp.319–22. Portrait of Hugo Ball. It was Ball who provided the Dada movement in Zurich with the philosophical roots of its revolt. Hugo Ball, Zur Kritik der deutschen Intelligenz, Bern 1919, pp.227–8. Hugo Ball (22 February 1886 – 14 September 1927) was a German author, poet and one of the leading Dada artists. The Critique was a virulent attack on Prussian militarism and its effect on German culture that Ball had written partly in response to the nationalistic fervor that gripped Germany during World War I. In 1916, Hugo Ball created the Dada Manifesto, making a political statement about his views on the terrible state of society and acknowledging his dislike for philosophies of the past that claimed to possess the ultimate truth. At the Cabaret, Ball was organizer, promoter, performer, and the primary architect of Dada's philosophical activism. Hugo Ball left the group after just a few months and went into new exile in Ticino, where he completely devoted himself to mystical Catholicism. A bim beri glassala glandride of anarchism. 7Within the reception of the works of Hugo Ball (in which the interest in the Dadaistic period is dominant over Ball's Catholic period) Byzantinisches Christentum received mixed but extremely little attention. Letter from Ball to Tristan Tzara, 15 ... Hugo Ball, Iconoclasm and the Origins of Dada in Zurich. bluku terullala blaulala loooo Hugo Ball was born in Pirmasens, Germany, and was raised in a middle-class Catholic family. Ball's poem "Gadji beri bimba" was adapted to the song "I Zimbra" on the 1979 Talking Heads album Fear of Music. Hugo Ball, Zürich, c.1921. Ball was born in the Rhineland, in 1886, into a family of devout German Catholics, and it was to a mystical form of Catholicism that he returned, … Born into a strict and highly devout Catholic family, Hugo Rudolf Ball was a sensitive child, who grew up fearing the severity of his mother's faith. Prelude 2. Roman, Cristianesimo bizantino: vite di tre santi, La huida del tiempo: un diario, con el primer manifiesto dadaísta, Das gezeichnete und ausgezeichnete Subjekt. e German author and poet Hugo Ball (1886Ball ( -1927 is best known for his "sound poems". o katalominai rhinozerossola hopsamen laulitalomini hoooo gadjama tuffm i zimzalla binban gligla wowolimai bin beri ban zimzim urullala zimzim urullala zimzim zanzibar zimzalla zam He also began writing, contributing critical reviews, plays, poems, and articles to the expressionist journals Die Neue Kunst [The New Art] and Die Aktion, both of which, in style and in content, anticipated the format of later Dada journals. Eine Streitschrift (Nietzsche in Basel. Lauli lonni cadori gadjam It was started by Hugo Ball, who later became a devout Catholic hermit who lived on an Alpine mountain. "Karawane" was also set to music in 2012 by Australian composer Stephen Whittington, as an "anti-song cycle" of seventeen songs — one for each line of the poem, lasting approximately two minutes each. Hugo Ball Search for other works by this author on: This Site. Hugo Ball Dadaism was an art movement founded by Hugo Ball in 1916 in Zurich, Switzerland hundred years ago this year that became an international art movement. [5]. velo da bang band affalo purzamai affalo purzamai lengado tor Rathey, who writes with an appreciation ∎ Robert Hughes’s The Spectacle of Skills (Knopf) is a large collection of the best essays of the late Australian critic, who always had interesting opinions and wrote Considered a traitor in his country, he crossed the frontier with the cabaret performer and poet Emmy Hennings, whom he would marry in 1920, and settled in Zürich, Switzerland. His involvement with the Dada movement lasted approximately two years. Ball contributed articles on German and Soviet politics, propaganda, and morality. gaga di bling blong Hugo Ball met cabaret singer, Emmy Hennings in Munich in the middle of 1915. After 1920, when he and Hennings moved to the small Swiss village of Agnuzzo, Ball became increasingly mystical and removed from political and social life, returning to a devout Catholicism and plunging into an ambitious study of fifth- and sixth-century Christian saints. He died of stomach cancer in 1927. 3. He began revising his personal diaries for the years 1910–1921, and in 1927 these writings were published as Die Flucht aus der Zeit (Flight Out of Time). Ibid., ch.4, see e.g. Events at the Galerie included lectures, performances, dances, weekend soirées, and tours of the exhibitions. In February 1916, the couple opened the Cabaret Voltaire where Dada was born. 63. And the talk by Deborah Lewer will focus on the influence that the Catholic theologian Pseudo-Dionysius the Areopagite (5th-6th centuries AD) had on Hugo Ball and on his work as a writer and artist. He began writing a book on Bakunin that would continue to occupy him for the rest of his life. He rebelled against his background, but re-converted in 1920. As a young man, he was apprenticed to a leather factory, but after suffering a nervous breakdown, he was allowed by his family to attend university in Munich and Heidelberg, where he studied German literature, philosophy, and history, and began a dissertation on Friedrich Nietzsche. Mikhail Bakunin (1814-1876) was a Russian revolutionary anarchist and founder of collectivist anarchism. There Ball organized and promoted Dada events, including performances in which he participated - most often reciting his sound poems. Wolken (Clouds) 3. Sound recordings of performances of Ball's poems, Die Nase des Michelangelo. The internal squabbling brought Dada to an abrupt end. Author and poet Hugo Ball ( 1886–1927 ) was a German author and poet Hugo Ball who... The middle of 1915 1886 and died in Sant'Abbondio ( Gentilino ), Emmy Hennings, Salerno, 1926,... Hennings in Munich in the Swiss countryside regarding the Klan that Black `` sympathized the. 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